She carried her naked Ovation, no
case, to her first lesson with Mr. Meyers. Later she carried it to her first gig with a rock band. She
can’t remember the name of that band.
She can see all the band members in her mind’s eye but can’t place their
names. Hell, she even slept with
the drummer five times. Or was it ten?
Off they would go after practice on some nights or on days off to the
Motel 9. He would always be the
gentleman and pick her up, say hello to the Mother if she was there and then
head out for some afternoon delight.
Not a Motel 6 or a Super 8.
It didn’t feel as sleazy in a more ‘upscale’ motel. It wasn’t sleazy at all. He was sexy hot. He had actually come on to her, winking
at her from his kit behind her, watching her ass move as she took her
well-rehearsed in the mirror rock star stance, legs spread wide, one knee bent
forward or resting on the monitor, with her guitar, the boat paddle as the lead
guitarist called it, strapped low on her hips, screaming out a few Pat Benatar
tunes. Hit me with your best
shot. He did and she let him.
The guitar carried her though a lot
of disappointment and loss. It helped her write woe is me, love unrequited,
love lost songs when she could face the pain front and center. When she couldn’t, her That guitar stood beside her as she
sang next to her bandmate when he moved on to her fellow vocalist. She hid behind her guitar when the
deepest wound was inflicted, sobbing through an emotional love song, screaming
the lyrics to a believing audience. “Man, she sings from the heart.” If they
only knew.
anger fueled fingers into power chords of protest and anti-war songs.
That guitar gained and lost her
friends. When she landed in the
hospital for a week and then a month “You have your own.
Why do you need mine?” she replied. The guitar stayed with its owner and that friend was carried
to the pile of exes – boyfriends, lovers, parents, best friends.
The guitar finally landed in its
own case and was carried to the closet after her first child was born. The depression hit and it must have
been worse than during her protest war, I hate my parents, no one loves me not
even my mother, you fucking asshole best friend songwriting days, because she
lost all desire,
energy, gumption, her need to pick it up and allow it to carry
her over this hump. The hump was too big. It carried too much sorrow for too many years.
The guitar was carried to the
moving van and into the new house, where it was carried down to the basement
where all things bad go to hide.
Three years later, it called to her, a sweet, ‘remember me?’ call to
reunite, share memories from their past, rekindle the romance that once burned
calluses onto her fingertips from too much playing. She had been singing in a
band without her trusted old friend and her fingers were rusty on the strings
so she took her old pal for a class at Old Town School of Music where she met
new bandmates for a new version of an old band. Once again, she took her rock star stance on stage and the
two of them, trusted guitar and she, wrote new woe is me love lost but I could
give a shit about you anymore, you dickhead love songs and re-grew the calluses
on her fingertips.
The guitar and her enjoyed the next
ten fruitful years together, carrying each other through broken strings and
marriages, cracked Ovation body and warped cracked-in-the-head mother, children
and plenty of solo gigs, just her and it, before setting it aside once again to
deal with life, work, children, dying father, sickly warped cracked-in-the-head
mother, another go at acting and a new business.
She picks it up every now and then
when a special song is needed for a friend’s living wake or one time stage
performance. It is old, wise, with
a sweet aged sound, cracks and all, and her body knows it well. They fit together like a puzzle, each
holding an edge of themselves to the other, creating one undeniable unit of
sound, memory (when it does work) and
friendship.